First published in issue 118 (Jan 2016) of a.m.post, Hong Kong.
“Law’s objects are Woolf’s “characters”. They neither speak nor show, but they are poemed for being “well put together”. To borrow from Bringhurst again, to poem is to make sing or resonate. Law’s solitary ecology of objects does that, too. In the making, the artist’s body must have hopped between them – those kindred spirits of hers – so that she could conceal herself, displace those after-the-fact gestures of art, show this act of concealment, and get lost in the vastness of everything else.”
Six female artists search for Hong Kong’s disappearing history and memory by Charlotte CHANG
Published on Art Radar Contemporary art trends and news from Asia and beyond (30-10-2015)
On Junk Bay, King Lam Est., The Plant (1990) is a mixed-media work about Junk Bay, the former name of the artist’s home Tseung Kwan O, and the plant life that thrives there. Although Junk Bay was reclaimed, plants – some even tropical species from overseas – have taken root around the old King Lam housing estate. By presenting real plant samples and cyanotypes of different species found on the estate, Law comments poetically and in a timely way on the increasingly threatened co-existence between humans and nature in a city where century-old trees could be cut down without warning.