Law Yuk-mui graduated from The Chinese University of Hong Kong with a Master of Fine Arts (MFA). She is the co-founder of the artist-run organisation Rooftop Institute.
Using image, sound and installation as her mediums of preference, and adopting the methodology of field study and collecting, she often intervenes in the mundane space and daily life of the city and catches the physical traces of history, psychological pathways of human, the marks of time and the political power in relation to geographic space. Law often digs beyond the surface, through which she would recover fragments of narratives and micro histories. She is also sensitive to remnants in the art making process and finds imaginative ways to re-use and reactivate these things.
Her works were extensively exhibited in Asia, including: ‘Future Life Handbook’ Redtory Museum of Contemporary Art, Guangzhou, China (2017-2018), ‘Victoria East :FUSE Artist Residency’ Videotage, Hong Kong (2017), ‘Talkover/Handover 2.0’，1a space, Hong Kong (2017)，’Busan International Short Film Festiva’，South Korea(2017)， ‘5th Singapore International Photography Festival (SIPF)’, Singapore (2016), ‘Time Test: International Video Art Research Exhibition’, Beijing & Guangzhou (2016), ‘Both Sides Now ii – it was the best of times it was the worst of times’ Britain, China, Hong Kong (2015), ‘A Room with A View – Her Hong Kong stories through the lens of six female artists’(2015), ‘Here are the years that walk between’ special commission video project by Hong Kong Sinfonietta (2013), ‘The 2nd Beijing International Film Festival’ (2012), ‘The Kuala Lumpur Experimental Film and Video Festival’(2011), ‘The 16th Hong Kong Independent Short Film & Video Awards’ (2010), ‘Inter-city: Art in Busan’ South Korea (2009). Her prose “migration, insomnia, dreams” was included in Pocket2: Say Listen .
羅玉梅畢業於香港中文大學藝術碩士，是藝術家營運機構「 天台塾 」創辦人之一。創作以影像、聲音和裝置藝術置為主要媒介。常以田野調查和搜集為方法，介入城市空間及日常，捕捉歷史的物理痕跡、人的心理軌跡、時間的形跡與地緣政治的關。羅玉梅亦擅於挖掘表層下的細碎敘事與物事，鉤沉微歷史，以及重新想像創作的剩餘物，賦予其全新意義。
主要展覽包括: 「未來生活手冊」紅專廠當代藝術館, 中國廣州 (2017-2018) 、「維多利亞之東」, 錄映太奇 FUSE 藝術駐留計劃 (2017) 、「廿年回歸前後話」香港 1a空間 (2017)、「第34屆釜山國際短片節」(2017) 、「
BA Fine arts, The Chinese University of Hong Kong
MFA Fine arts, The Chinese University of Hong Kong
<Shark Eats Shadow>, Commissioned by Hong Kong Youth Art Foundation
<Here are the years that walk between, Hong Kong Sinfonietta special commission>, Artis Tree, Tai koo Place, Hong Kong
Victoria East, Videotage, Cattle depot, Hong Kong.
Disabled Novel, Cheng Ming Building, New Asia College, The Chinese University of Hong Kong
Future Life Handbook, Redtory Museum of Contemporary Art, Guangzhou, China.
Talkover/Handover 2.0, 1a space, Cattle depot, Hong Kong.
Busan International Short Film Festival (BISFF), “Landscape of Asian Shorts” session.
Time Test: International Video Art Research Exhibition,o-presented by CAFA Art Museum and Eli and Edythe Broad Art Museum, Beijing; Redtory Museum of Contemporary Art, Guangzhou
A room with a view, 5th Singapore International Photography Festival (SIPF), Earl Lu Gallery, Institute of Contemporary Arts Singapore, Lasalle College of the Arts.
Both Sides Now ii – it was the best of times it was the worst of times, Britain, China, Hong Kong.
A Room with A View – Her Hong Kong stories through the lens of six female artists, Koo Ming Kown Exhibition Gallery, CVA Building, Hong Kong Baptist University.
All About Poetry, Southern District Literature Day, Hong Kong Youth Arts Foundation special commission, Aberdeen Typhoon Shelters，Hong Kong.
The Scarlet Bauhinia in Full Bloom, AJC, Hong Kong
[en]counters 2014 (“Is there love in this air?”), Mumbai, India
Sound of image, The cattle depot, Hong Kong
Here are the years that walk between, Hong Kong Sinfonietta special commission, Artis Tree, Tai koo Place, Hong Kong
Hong Kong Contemporary Art Award 2013, Hong Kong Museum of Art, Hong Kong
Hong Kong Artwalk Extra
2nd Beijing International Film Festival, China
Second Hand Material Original Works 2, Fotanian Open Studio 2012, Hong Kong
Second-Hand Material Original Works: Hong Kong Experimental Shorts, Videotage, Hong Kong
The Kuala Lumpur Experimental Film and Video Festival (KLEX), Malaysia
Asian Experimental Video Festival in Macao (EXiM 2011 ), OXwarehouse, Macau
A Wedding, Para/Site Art Space, Hong Kong
The 16th Hong Kong Independent Short Film & Video Awards (IFVA), Hong Kong Art Center, Hong Kong
Moontage in Moonlife concept store, ArtHub Asia, Shanghai, China
You Are Here, I Am Not – From Ho Siu Kee to Kong Chun Hei,Lui Chun Kwong and students group Exhibition, Osage, Hong Kong
inter-city, Art in Busan 2009, Busan, South Korea
FENG YU PIAO YAO AI GUO SHI, Artist Commune, the Cattle Depot, Hong Kong
The Alchemy of Shadows, Third LianZhou International photo Festival, LianZhou, China
Think after ink, Blue Lotus Gallery, Fotan. Hong Kong
Reversing Horizons – Artists reflections of the Hong Kong handover 10th anniversary, Museum of contemporary Art (MoCA), Shanghai, China
Amusement Park, Art Beatus Gallery, Hong Kong
Away- Group Exhibition of contemporary visual artists, 1A space, The cattle depot, Hong Kong
Hong Kong Art Biennial Exhibition 2005, Hong Kong Museum of Art
The circuit exhibitions of Philippe Charriol Foundation 20th Anniversary Art Competition,Philippe Charriol Foundation
Art market 2004,Parasite art space, Hong Kong
The selected entries of Hong Kong Contemporary Art Award 2013,
Jury Recommendation, Open Category, 16th IFVA Awards, Hong Kong
The dean’s List of 2005-2006 for outstanding Academic performance (Faculty of Arts)
Alfred S.U. Ho Memorial Prize 2005/2006
Cheung’s Fine Art Award 2005-2006
The Chinese University of Hong Kong, Creativity Student Award
The selected entries of Hong Kong Art Biennial 2005-2006
Philippe Charriol Foundation 20th Anniversary Art Competition
HKADC Delegation in Gwangju Biennale 2016, Hong Kong Arts Development Council
Mayching Kao Fine Arts Fund
Friend’s of art museum Research Grant
Art Beatus Gallery
Philippe Charriol Foundation
Annie Wong Art Foundation
Archive and Preservation
Videotage Media Art Collection (VMAC)